ABSTRACT
Crises have always brought along transformations in gender identities, roles, and relations: while much has changed in Western culture regarding the role of women and notions of masculinity are also challenged, efforts to control female roles, bodies, and sexualities persist. For example, Susan Faludi's The Terror Dream has described the post-9/11 age as an era of reconstituted "traditional” manhood, redomesticated femininity and nuclear family "togetherness.” The question that lies at the basis of this paper is whether–and if so, how –science fiction cinema continues to respond to moments of crisis and vulnerability through the old myth of protective manhood and feminine weakness. By identifying two cases of insecurity–climate change and the coronavirus pandemic–we analyse a recent film (Bird Box, 2018) and two TV series on pandemic outbreaks from the US (Sweet Tooth, 2021) and Italy (Anna, 2021). All three works break new ground–though not devoid of limits–about family structures and parental care: while Bird Box proposes a reversal of gender roles, Anna elaborates on the notion of motherhood by presenting unconventional models of mothering;in Sweet Tooth, the ethics of care is extended to the relationship between humans, animals, and the endangered environment. © 2022 Informa UK Limited, trading as Taylor & Francis Group.